The Principality of Sealand: a design critique
Tuesday, April 15th, 2008It is the pride and honor of every designer to have the opportunity to work on something that is truly profound. Such opportunities, like designing the Jüdisches Museum, Berlin or the Tube Map for London’s Underground, seldom grace the life of a designer. But, the opportunity to design a country, is one that almost never happens.
That is, until Dutch designer Daniel van der Velden was commissioned in 2003, to design money, passports and stamps for the abandoned water fortress off the British coast, proclaimed to be the independent micro-nation of The Principality of Sealand.
As disputed and controversial as this nation status may be, the project to conceive Sealand’s visual identity was not without complexity. Part and parcel to ‘The Sealand Identity Project’ and the uniqueness of this man-made, self-proclaimed nation, was the internet, as global archive.
In a press release in 2003, Van der Velden is quoted as saying:
The consequences of the internet’s daily usage, its universal vastness and its potential to blur the boundaries between the ‘real’ and the ‘fictional’, will be key operators in the design methods employed.nettimes.org






